Inclusive Bibliography

Referencing style in this inclusive bibliography is generally in 'Harvard' style following examples in the Australian Government Style Manual, fourth edition, 1988, Canberra, with this order and punctuation: surname, first name, date, title, publisher, place [for books].

A Young Girl's Diary, Unwin, London, Preface by Sigmund Freud tr. Eden & Cedar Paul [author's name suppressed].

Abel, Elizabeth ed. 1982, Writing and Sexual Difference, University of Chicago Press, Chicago.

Abell, Walter H. 1957, The Collective Dream in Art: A Psycho-Historical Theory of Culture based on Relations between the Arts, Psychology and the Social Sciences, HarvardUniversity Press, Cambridge, Mass.

Abrams, M. H. 1953, The Mirror & the Lamp: Romantic Theory and the Critical Tradition, Oxford University Press, Oxford.

Abrams, M. H. 1971, A Glossary of Literary Terms, third edition, Holt, Rinehart & Winston, New York.

Abrams, M. H. 1971, Natural Supernaturalism: Tradition & Revolution in Romantic Literature, Norton, New York.

Abrams, M. H. 1977, 'The limits of pluralism II: the deconstructive angel,' Critical Inquiry 3: 425-438.

Acheson, James & Arthur, Kateryna 1987, Beckett's Later Fiction and Drama: Texts for Company, Macmillan, Basingstoke.

Ackhoff, Russell Lincoln, Fred Emery & Brent D. Ruben, On Purposeful Systems: An Interdisciplinary Analysis Of Individual And Social Behavior As A System Of Purposeful Events, Aldine-Atherton: Chicago, 1971.

Adam, Ian & Helen Tiffin eds 1991, Past the Last Post: Theorizing Postcolonialism and Postmodernism, Harvester Wheatsheaf, Hemel Hempstead.

Adams, Phillip 1994, 'A cultural revolution', in Scott Murray ed., Australian Cinema, Allen & Unwin, Australian Film Commission, Sydney: 61-70.

Adams, Phillip 1995, 'Introduction', in James Sabine ed., A Century of Australian Cinema, Mandarin/Reed/AFI, Port Melbourne: vii-xi.

Adams, R. M. 1958, Strains of Discord: Studies in Literary Openness, Cornell University Press, Ithaca.

Adlam, Diana et al. 1977, 'Psychology, ideology and the human subject,' Ideology and Consciousness 1, Spring: c. 48.  [I & C]

Adams, Robert M. 1978, 'What was Modernism?' Hudson Review, 31, 1, Spring: 19-33.

Adler, Judith 1989, 'Origins of sightseeing', Annals of Tourism Research, 16, 3: c. 8.

Adorno, Theodor 1991, The Culture Industry: Selected Essays on Mass Culture, ed. J. M. Bernstein, Routledge, London.

Adorno, Theodor, "On the fetish character of music and the ..."? The Culture Industry: Selected Essays on Mass Culture.  Check.

Adorno, Theodor & Horkheimer, Max 1972, Dialectic of Enlightenment, tr. John Cumming, Seabury Press, New York.

Adorno, Theodor & Max Horkheimer 1993, 'The culture industry: enlightenment as mass deception', from Dialectic of Enlightenment, tr. John Cumming, Seabury Press, New York, 1972, in During, Simon ed., The Cultural Studies Reader, Routledge, London & New York: 29-43.  Also repr. 1977 in Curran, James with Michael Gurevitch & Janet Woollacott eds 1977, Mass Communication and Society, Edward Arnold, London: 349-383.

Adorno, Theodor et al. eds 1976, The Positivist Debate in German Sociology, tr. G. Adey & D. Frisby, Heinemann, London.  Paper by Karl Popper, 'The logic of the social sciences': 87-104.

Adorno, Theodor 1991, 'Culture industry reconsidered', Culture and Society: Contemporary Debates, eds Jeffrey C. Alexander & Steven Seidman, Cambridge University Press, Cambridge: 275-282.

Aers, David and Bob Hodge, Literary Language and Society in England 1580-1680.  Check.  X 824.301 A 252 1

Aeschylus, Oresteian Trilogy

Affron, Charles 1982, Cinema and Sentiment, University of Chicago Press, Chicago.

Affron, Charles 1992 [1982], 'Voice and space', Cinema and Sentiment, University of Chicago Press, Chicago; repr. Gerald Mast, Marshall Cohen & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 332-340.

Agee, James 1969, Agee on Film, Volume 1, Grosset & Dunlap, New York.

Agger, Ben 1979, Western Marxism: An Introduction, Goodyear, Santa Monica.

Agger, Ben 1989a, Fast Capitalism: A Critical Theory of Significance, University of Illinois Press, Urbana, Ill.

Agger, Ben 1989b, Reading Science: A Literary, Political and Sociological Analysis, General Hall, Dix Hills, New York.

Agger, Ben 1989c, Socio(onto)logy: A Disciplinary Reading, University of Illinois Press, Urbana, Ill.

Agger, Ben 1990, The Decline of Discourse: Reading, Writing and Resistance in Postmodern Capitalism, Falmer, London/New York.

Agger, Ben 1991a, The Discourse of Domination: From the Frankfurt School to Postmodernism, Northwestern University Press, Evanston, Ill.

Agger, Ben 1991b, A Critical Theory of Public Life: Knowledge, Discourse and Politics in an Age of Decline, Falmer, London/New York.

Agger, Ben 1992, Cultural Studies as Critical Theory, Falmer, London.

Ahmad, Aijaz 1992, In Theory: Classes, Nations, Literatures, Verso, London.

Ainslie, Trish & Roger Garwood 1994, Fremantle: Life in the Port City, Plantagenet Press, Fremantle.

Aitkin, Don, The Second Chair.

Aldridge, John W. 1952, Critiques and Essays in Modern Fiction 1920-1951, New York.

Allen, Matthew 1993, 'Telecom adverts, Telecom networks, Telecom Australia: national identity and information  technology,' Australian Journal of Communication 20, 2: 97-113.

Allen, Richard 1995, Projecting Illusion: Film Spectatorship and the Impression of Reality, Cambridge University Press, Cambridge.

Allen, Robert 1985, Speaking of Soap Operas, University of North Carolina Press, Chapel Hill NC.

Allen, Robert C. & Douglas Gomery 1985, Film History: Theory and Practice, Alfred Knopf, New York/

Allen, Robert ed. 1991, Channels of Discourse, Second Edition, Routledge, London; University of North Carolina Press, Chapel Hill NC.  Includes: Fiske,

Allen, Robert ed. 1992, Channels of Discourse, Reassembled, Routledge, London.

Allen, Walter 1958 [1954], The English Novel: A Short Critical History, Penguin (originally published Phoenix House, 1954).

Allen, Walter 1965, Tradition and Dream: The English and American Novel from the Twenties to our Time, Readers Union, Phoenix House, London.

Alley, Henry 1993, 'George Eliot and the ambiguity of murder,' Studies in the Novel, 25, 1, Spring: 59-75.  Character study, but uses Bakhtin.  Cf. Problems of Dostoevsky's Poetics: 18.

Allison, David B. 1977 ed., The New Nietzsche: Contemporary Styles of Interpretation, Delta, New York.

Alloway, Laurence 1963, 'Iconography of the movies', Movie.

Alloway, Laurence 1971, Violent America: The Movies 1946-64, Museum of Modern Art, New York.  (Introductory booklet to a season at MOMA.)

Almansi, Guido 1975, The Writer as Liar: Narrative Technique in the Decameron, Routledge & Kegan Paul, London.

Alomes, Stephen 1988, A Nation at Last?: The Changing Character of Australian Nationalism 1880-1988, Angus and Robertson, North Ryde, Sydney.

Alomes S. & den Hartog, D. 1991, Post Pop: Popular Culture, Nationalism and Postmodernism, Footprint, Footscray.

Alter, Robert 1975, Partial Magic: The Novel as a Self-conscious Genre

Alter, Robert 1981, The Art of Biblical Narrative, Basic Books, New York.

Alter, Robert 1984, Motives for Fiction.

Althusser, Louis 1959, Montesquieu, Presses Universitaires de France, Paris.

Althusser, Louis 1965, Pour Marx, Maspéro, Paris.

Althusser, Louis 1968, Lire le capitale, Maspéro, Paris.

Althusser, Louis 1969, For Marx, tr. Ben Brewster, Pantheon, New York (New Left Books, London).

Althusser, Louis 1969, Lénine et la philosophie, Maspéro, Paris.

Althusser, Louis & Balibar, Étienne 1970, Reading Capital, New Left Books, London, tr. Ben Brewster.

Althusser, Louis 1971, Lenin and Philosophy and Other Essays, tr. Ben Brewster, Monthly Review Press, New York (New Left Books, London).

Althusser, Louis 1972, Politics and History: Montesquieu, Rousseau, Hegel and Marx, New Left Books, London, tr. Ben Brewster.

Althusser, Louis 1976, Essays in Self-Criticism, tr. Grahame Lock, New Left Books, London.

Altick, Richard with ? Wright, The Art of Literary Research.  No other details noted.

Altick, Richard 1950, The Scholar-Adventurers, Macmillan, New York.  820.9 1950-3

Altick, Richard 1957 [1932], The English Common Reader: A Social History of the Mass Reading Public 1800-1900, Chicago University Press, Chicago.

Altman, Janet Gurkin 1982, Epistolarity: Approaches to a Form, Ohio State University Press, Columbus.

Altman, Rick 1978, 'The American film musical: paradigmatic structure and mediatory function', Wide Angle, 2, January: 10-17; repr. Genre: The Musical, Routledge, London, 1981: 197-207.

Altman, Rick 1981, Genre: The Musical, Routledge.

Altman, Rick 1984, 'A semantic/syntactic approach to film genre,' Cinema Journal 23, 3: 6-30.       JX 791.43 C574 1

Altman, Rick 1989, The American Film Musical, Indiana University Press, Bloomington and Indianapolis, Ind.; and BFI, London.

Altman, Rick, 'A Semantic/Syntactic Approach to Film Genre,' Cinema Journal 23, no. 3 (1984): 6-30.    JX 791.43 C574 1

Altman, Rick 1999, Film/Genre, BFI, London.

Alvarez, Alfred 1968, Beyond all this Fiddle, Allen Lane, London.

Anagnost Ann 1997, National Past-Times, Duke University Press, Durham, NC.

Anchor, Robert 1967, The Enlightenment Tradition, University of California Press, Berkeley and Los Angeles.

Anderson, Benedict R. 1991, Imagined Communities: Reflections on the Origin and Spread of Nationalism, rev. 2nd edn, Verso, London, New York.

Andreas-Salomé, Lou 1892, Henrik Ibsens Frauengestalten, Eugen Diederichs, Jena.

Andreas-Salomé, Lou 1894, Friedrich Nietzsche in seinen Werken, Carl Konegen, Vienna; tr. Siegfried Mandel as Nietzsche , Black Swan Books, Redding Ridge Conn., 1988.

Andreas-Salomé, Lou 1896, 'Jesus der Jude,' Neue Deutsche Rundschau, 7: 342-351.

Andreas-Salomé, Lou 1897, 'Aus der Geschichte Gottes,' Neue Deutsche Rundschau, 8: 1211-1220.

Andreas-Salomé, Lou 1968, Lebensrückblick: Grundrisse einiger Lebenserinnerungen, Insel Verlag, Frankfurt am Main.

Andreas-Salomé, Lou 1985 [1892], Ibsen's Heroines, ed. & tr. with an introduction by Siegfried Mandel, Black Swan Books, Redding Ridge, CT. [Titlepage has the author as 'Lou Salomé.']

Andreas-Salomé, Lou 1991 [1951], Looking Back: Memoirs, ed. Ernst Pfeiffer, tr. Breon Mitchell from Lebensrückblick: Grundrisse einiger Lebenserinnerungen, Paragon House, New York.

Andrew, Dudley 1984, Concepts of Film Theory, Oxford University Press, New York.

Andrew, Dudley 1992 [1984], 'Adaptation', from Concepts in Film Theory, Oxford University Press; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 420-428.

Andrews, Malcolm 1990, The Search for the Picturesque: Landscape, Aesthetics and Tourism in Britain, 1760-1800, Stanford University Press, Stanford, California.

Ang, Ien 1986, Watching Dallas: Soap Opera and the Melodramatic Imagination, Methuen, London & New York.

Ang, Ien 1991, Desperately Seeking the Audience, Routledge, London and New York.

Ang, Ien, 1995 'Desperately guarding borders: media globalisation, cultural imperialism and the rise of "Asia",' unpublished paper presented at Murdoch University.

Anger, Kenneth 1975, Hollywood Babylon, Arrow, London.

Anzieu, Didier 1970, 'Freud et la mythologie,' Nouvelle Revue de Psychanalyse 1.

Anzieu, Didier 1986, Freud's Self-Analysis, London.

Appadurai, Arjun 1993, 'Patriotism and its futures', in Public Culture, 5, 3: 411-429.

Arac, Jonathan ed. 1986, Postmodernism and Politics, University of Minnesota Press, Minnesota.

Arato, Andrew and Gebhardt, Eike eds 1978, The Essential Frankfurt School Reader, Basil Blackwell, Oxford.

Ardrey, Robert 1969 [1967], The Territorial Imperative, Fontana Collins, London & Glasgow.

Aristophanes, Bird, Frogs, Clouds, Wasps, Lysistrata

Aristotle 1940, Aristotle's Art of Poetry, tr. W. Hamilton Fyfe, Oxford.

Aristotle 1953, Aristotle on the Art of Fiction: An English Translation of Aristotle's Poetics, tr. L. J. Potts, Cambridge University Press, Cambridge.

Aristotle 1956, Aristotle's Poetics, tr. Humphry House, rev. Colin Hardie, London.

Aristotle 1962, The Politics, tr. T. A. Sinclair, Penguin.

Aristotle 1976, The Ethics of Aristotle: The Nicomachean Ethics, tr. J. A. K. Thomson (translation first published 1953), rev. Hugh Tredennick, Penguin

Arnheim, Rudolf 1957, Film as Art, University of California Press, Berkeley (Faber, London, 1969).

Arnheim, Rudolf 1992 [1957], 'The complete film', Film As Art, University of California Press, Berkeley and Los Angeles; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 48-51.

Arnheim, Rudolf 1992 [1957], 'Film and reality', 'The making of a film', from Film As Art, University of California Press, Berkeley and Los Angeles; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 268-271, 272-277.

Arnheim, Rudolf 1971, Entropy and Art, University of California Press, Berkeley.

Arnheim, Rudolf 1978, 'A stricture on space and time,' Critical Inquiry 4, Summer: 645-655.

Arnold, Matthew, 'The function of criticism at the present time.'

Arnold, Matthew 1865 and 1888, Essays in Criticism.

Arnold, Matthew 1873, Literature & Dogma, London.

Arnold, Matthew 1963, Culture & Anarchy, Cambridge.

Arnon, Henri 1968, Lukács, Séghers, Paris.

Arnon, Henri 1970, L'esthétique marxiste, Presses Universitaires de France, Paris.

Arnon, Henri 1973, Marxist Aesthetics, tr. Helen R. Lane, intro Fredric Jameson, Cornell University Press, Ithaca.

Aronowitz, Stanley, Mass Culture and the Eclipse of Reason.

Aronowitz, Stanley 1988, 'Postmodernism and Politics,' in: Andrew Ross ed., Universal Abandon? The Politics of Postmodernism, University of Minnesota Press, Minneapolis: 46-62.

Art and Text, 34, Spring, 1989: special issue on film.

Artaud, Antonin 1958, The Theatre and its Double, tr. Mary Caroline Richards (from Le théatre et son double, Gallimard, Paris, 1938), Grove, New York.

Ashcroft, Bill, Griffiths, Gareth & Tiffin, Helen 1989, The Empire Writes Back: Theory and Practice in Post-Colonial Literatures, Routledge, London & New York.

Atkins, G. D., Reading Deconstruction: Deconstructive Reading.  X 801.95 A 873

Atkinson, P. 1990, The Ethnographic Imagination: Textual Constructions of Reality, Routledge, London.

Attalah, Paul, 'The Unworthy Discourse: Situation Comedy in Television,' in Willard Rowland & Bruce Watkins eds, Interpreting Television: Current Research Perspectives (Beverly Hills: Sage, 1984), 222-49.        791.457 I61

Auerbach, Erich 1953 [1946], Mimesis: the Representation of Reality in Western Literature, tr. Willard R. Trask, Princeton University Press, Princeton, NJ.  [A. Francke, Berne, 1946]  Written Istanbul 1942-5.  X 809. A 917 1

Auerbach, Erich 1968, Odysseus' scar, from Mimesis: the Representation of Reality in Western Literature, tr. Willard R. Trask, Princeton University Press, Princeton, NJ, 1953 [A. Francke, Berne, 1946]; reprinted in Calderwood, James L. &Toliver, Harold E. eds, Perspectives on Fiction, Oxford University Press, New York: 6-26.

Auster, Paul 1989, Moon Palace, Viking Penguin, New York.

Auster, Paul, The Music of Chance.

Auster, Paul (writer) 1995, Smoke, (film) dir. Wayne Wang.

Auster, Paul (writer) 1995, Blue in the Face, (film) dir. Wayne Wang.

Austin, Bruce A., & Thomas F. Gordon, 'Movie Genres: Toward a Conceptualized Model and Standardized Definitions,' in Bruce A. Austin, ed. Current Research in Film: Audiences, Economics and Law Volume 3 (Norwood: Ablex Publishing: 1987), 12-33.

Austin, J. L. 1962, How To Do Things With Words, ed. J. O. Urmson, Cambridge, Mass.

Australian Film Commission 2002, Get the Picture, sixth edition, Australian Film Commission, Sydney.

Bachelard, Gaston 1948, La terre et les rêveries du repos, Corti, Paris.

Bachelard, Gaston 1968, The Psychoanalysis of Fire, Boston: Beacon Press, tr. from La psychanalyse du feu, Paris: 1938.  English: 1964?

Bachelard, Gaston 1969 [1938], The Poetics of Space, Beacon Press, Boston, tr. Maria Jolas from La poétique de l'espace, Presses Universitaires de France, Paris.

Bachmann, Gideon 1976-7, 'Films in Australia', Sight and Sound, 46, 1: 32-36.

Badcock, C. R. 1975, Lévi-Strauss: Structuralism and Sociological Theory, Hutchinson, London.  301.0924 Lev.b

Badcock, Christopher 1988, Essential Freud, Basil Blackwell, Oxford.

Baehr, Helen & Gillian Dyer 1987, Boxed In: Women and Television, Pandora, New York.

Bail, Murray 1980, Homesickness, Penguin.

Bail, Murray 1987, Holden's Performance, Penguin.

Bail, Murray, Contemporary Portraits

Bail, Murray, Ian Fairweather, Bay Press

Bail, Murray, The Faber Book of Contemporary Australian Short Stories

Bailey, R. W., L. Matejka & P. Steiner eds 1978, The Sign: Semiotics Around the World, Michigan Slavic Publications, Ann Arbor, Mich.

Baker, Houston A. Jr., Manthia Diawara & Ruth H. Lindeborg eds 1996, Black British Cultural Studies: A Reader, University of Chicago Press, Chicago.

Bakhtin, Mikhail M. 1963, Problems of Dostoevsky's Poetics, Sovetskij Pisatel,' Moscow, was originally published as Problems of Dostoevsky's Creative Art, Leningrad, 1929.  The later version is revised and extended.

Bakhtin, Mikhail M. 1969 , 'Monologue speech of the hero, and narrative discourse in the stories of Dostoevsky—Notes from Underground,' in Dostoevsky, Fyodor 1969, Notes from Underground, tr. Serge Shishkoff, ed. Robert G. Durgy, Cromwell, New York, (from Problems of Dostoevsky's Poetics, tr. Richard Balthazar [from Problemy Poetiki Dostoevskogo, Sovetskij Pisatel,' Moscow, 1963: 305-318]): 203-216.

Bakhtin, Mikhail M. 1971, 'Discourse typology in prose,' from Readings in Russian Poetics: Formalist and Structuralist Views, ed. Ladislav Matejka & Krystyna Pomorska, MIT Press, Cambridge, Mass.: 176-96.

Bakhtin, Mikhail M. 1973 [1929], Problems of Dostoevsky's Poetics, Ardis, Ann Arbor, tr. R. W. Rotsel, from Problemy Poetiki Dostoievskovo.

Bakhtin, Mikhail M. 1981, 'Discourse in the novel,' in The Dialogic Imagination, ed. Michael Holquist, University of Texas Press, Austin.

Bakhtin, Mikhail M. 1981, The Dialogic Imagination: Four Essays, ed. Michael Holquist, tr. Caryl Emerson & Michael Holquist, University of Texas Press, Austin.

Bakhtin, Mikhail M. 1984 [1963], Problems of Dostoevsky's Poetics, tr. Caryl Emerson, University of Minnesota Press, Minneapolis, [from Problemy Poetiki Dostoevskogo, Sovetskij Pisatel,' Moscow, 1963].

Bakhtin, Mikhail M. 1994, The Bakhtin Reader: Selected Writings of Bakhtin, Medvedev and Voloshinov, ed. Pam Morris, Edward Arnold, London.

Bakhtin, Mikhail Mikhailovich, 1984, Rabelais and his World, tr. Helene Iswolsky, Indiana University Press, Bloomington, Ind., from Tvorchestvo Fransua Rable i narodnaia kultura srednevekovia i Renessansa.

Balász, Béla 1992 [1952], 'The close-up', 'The face of man', from Theory of the Film, Dover, New York; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 260-261, 262-267.

Balmary, Marie 1979, L'homme aux statues: Freud et la faute cachée du père, Grasset, Paris.

Balnaves, Mark, James Donald, Stephanie Hemelryk Donald 2001, The Global Media Atlas, BFI, London.

Bandura, Social Foundations of Thought and Action: A Social Cognitive Theory, Prentice-Hall, 1986.

Bann, Stephen & Bowlt, John E. eds 1973, Russian Formalism, Scottish Academic Press, Edinburgh.

Barber, C. L., Shakespeare's Festive Comedy.

Barker, Gerald A., 1993, 'The narrative mode of Caleb Williams: problems and resolutions,' Studies in the Novel, 25, 1, Spring: 1-15.  Discusses the consequences of Godwin's change from third to first person.  Uses Stanzel etc.

Barner, Wilifried 1977, Rezeptionsästhetik—Zwischenbilanz (III): 'Neuphilologische Rezeptionsforschung und die Möglichkeiten der klassischen Philologie', Poetica, 9: 499-521.

Barron, David, 'The babe that milks: an organic study of Macbeth', in M. D. Faber, The Design Within.

Barth, John: see that file.

Barthel, Joan 1967, 'John Wayne, Superhawk', New York Times Magazine, 24 December.

Barthes, Roland: see that file.

Barzun, Jacques 1961 [1943], Classic, Romantic and Modern, Little, Brown, Boston.

Basho 1966, The Narrow Road to the Deep North and Other Travel Sketches, tr. Nobuyuki Yuasa, Penguin.

Basinger, Jeanine 1993, A Woman's View: How Hollywood Spoke to Women, Knopf, New York.

Bataille, Georges 1985, 'Appropriation and excretion' (extract), Visions of Excess: Selected Writings, 1927-1939, ed. and intro. Allan Stoekl, tr. Allan  Stoekl, Carl R. Lovitt & Donald M. Leslie, University of Minnesota Press, Minneapolis; Manchester University Press, Manchester: 94-102.

Bates, Daisy 1966, The Passing of the Aborigines, Heinemann, Melbourne.

Bateson, Gregory 1958 [1936], Naven: A Survey of the Problems suggested by a Composite Picture of the Culture of a New Guinea Tribe drawn from Three Points of View, Second Edition, Stanford University Press, Stanford, California.

Bateson, Gregory 1980 [1979], Mind and Nature: A Necessary Unity, Fontana, London.

Bateson, Gregory 1987 [1972], Steps to an Ecology of Mind: Collected Essays in Anthropology, Psychiatry, Evolution, and Epistemology, Aronson, New York, (orig. publ. Chandler, San Francisco, 1972).

Baudrillard, Jean 1968, Le système des objets, Gallimard, Paris.

Baudrillard, Jean 1975, The Mirror of Production, tr. Mark Poster, Telos, St Louis.

Baudrillard, Jean 1980, 'The implosion of meaning in the media and the information of the social in the masses,' in Kathleen Woodward ed., Myths of Information: Technology and Post-Industrial Culture, Coda Press, Madison: 137-48.

Baudrillard, Jean 1981, For a Critique of the Political Economy of the Sign, Telos, St Louis, tr. Charles Levin.

Baudrillard, Jean 1983, In the Shadow of the Silent Majorities, or, the End of the Social and Other Essays, tr. Paul Foss, John Johnston, & Paul Patton, Semiotext(e).

Baudrillard, Jean 1983, Simulations, tr. Paul Foss, Paul Patton & Philip Beitchman, Semiotext(e) Foreign Agents Series, New York.

Baudrillard, Jean 1983, 'The precession of simulacra', in Simulations, tr. Paul Foss, Paul Patton & Philip Beitchman, Semiotext(e), New York: 1-79.  Also in Art & Text, 11, Spring 1983: 3-47.  Also repr. Brian Wallis ed. 1984, Art after Modernism:  Rethinking Representation, New Museum of Contemporary Art, New York: 253-81.

Baudrillard, Jean 1983, 'The orders of simulacra', in Simulations, tr. Paul Foss, Paul Patton & Philip Beitchman, Semiotext(e), New York: 81-159.

Baudrillard, Jean 1984, The Evil Demon of Image, Sydney, Power Institute Publications, No. 3.

Baudrillard, Jean 1984, 'Game with vestiges', On the Beach, 5, Winter: 19-25.

Baudrillard, Jean 1986, Amérique, Grasset, Paris, 1986.

Baudrillard, Jean 1987, Forget Foucault; and Forget Baudrillard: An Interview with Sylvère Lotringer, Semiotext(e) Foreign Agents Series, New York.

Baudrillard, Jean 1987, L'autre par lui-même, Éditions Galilée, Paris.

Baudrillard, Jean 1988, America, Verso, London & New York, tr. Chris Turner from Amérique, Grasset, Paris, 1986.

Baudrillard, Jean 1988, The Ecstasy of Communication, tr. Bernard & Caroline Schutze, ed. Sylvère Lotringer, Semiotext(e) Foreign Agents Series, Autonomedia, New York (tr. from L'autre par lui-même, Éditions Galilée, Paris, 1987).

Baudrillard, Jean 1988, Selected Writings, ed. Mark Poster, Basil Blackwell, Oxford.

Baudrillard, Jean 1990, Revenge of the Crystal: Selected Writings on the Modern Object and its Destiny, 1968-83, Pluto Press, Leichhardt.

Baudrillard, Jean 1990, Cool Memories, Verso, London & New York, tr. Chris Turner from Cool Memories: 1980-1985, Galilée, Paris, 1987.

Baudrillard, Jean, 1990, Seduction, Macmillan, London.

Baudry, Jean-Louis 1992 [1974], 'Ideological effects of the basic cinematographic apparatus', tr. Alan Williams, orig. Film Quarterly, 28, 2, Winter 1974-5; repr. Gerald Mast, Marshall Cohen & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, Oxford University Press, New York, fourth edition: 690-707; also repr. Philip Rosen ed., Narrative, Apparatus, Ideology, Columbia University Press, New York, 1986: [part of] 286-318.

Baudry, Jean-Louis 1992 [1975], 'The apparatus: metapsychological approaches to the impression of reality in the cinema', orig. Communications, 1975; tr. Jean Andrews & Bernard Augst for Camera Obscura, 1, Fall, 1976; repr. Gerald Mast, Marshall Cohen & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, Oxford University Press, New York, fourth edition; also repr. Philip Rosen ed., Narrative, Apparatus, Ideology, Columbia University Press, New York, 1986: [part of] 286-318.

Bauman, Zygmunt 1988, 'Is there a postmodern sociology?' Theory, Culture and Society, 5, 2-3: 217-237.

Bauman, Zygmunt 1989, Modernity and the Holocaust, Polity, Oxford.

Bauman, Zygmunt 1991, Modernity and Ambivalence, Polity, Oxford.

Bauman, Zygmunt 1994, 'Desert spectacular', Chapter 7 of Keith Tester ed., The Flâneur, Routledge, London, New York: 138-157.

Bausinger, Herman 1984, 'Media, technology and daily life', Media, Culture and Society, 6: 343-351.

Baxandall, Lee ed. 1972, Radical Perspectives in the Arts, Penguin.

Baxter, John 1970, The Australian Cinema, Pacific Books/A&R, Sydney.

Baxter, John 1986, Filmstruck: Australia at the Movies, Australian Broadcasting Corporation, Sydney.

Baxter, John 1986, 'A fistful of koalas', Cinema Papers, 57, May: 26-29.

Bayley, John 1976, The Uses of Division: Unity and Disharmony in Literature, Chatto & Windus, London.

Bazin, André 1967, What is Cinema? tr. Hugh Gray, University of California Press, Berkeley, 2 vol.

Bazin, André 1971, 'The western, or the American film par excellence' and 'The evolution of the western' in What is Cinema? vol. 2, tr. Hugh Gray, University of California Press, Berkeley.

Bazin, André 1992 [1967], 'The myth of total cinema', What is Cinema? vol. 1 & 2, tr. Hugh Gray, University of California Press, Berkeley and Los Angeles; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 34-37.

Bazin, André 1992 [1967], 'De Sica: metteur-en-scène', What is Cinema? vol. 1 & 2, tr. Hugh Gray, University of California Press, Berkeley and Los Angeles; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 38-47.

Bazin, André 1992 [1967], 'The evolution of the language of cinema', What is Cinema? vol. 1 & 2, tr. Hugh Gray, University of California Press, Berkeley and Los Angeles; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 155-167.

Bazin, André 1992 [1967], 'Theater and cinema', What is Cinema? vol. 1 & 2, tr. Hugh Gray, University of California Press, Berkeley and Los Angeles; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 375-386.

Beach, Joseph Warren 1932, The Twentieth Century Novel: Studies in Technique, New York.

Beardsley, Monroe C. 1958, Aesthetics: Problems in the Philosophy of Criticism, Harcourt Brace, New York.

Beckett, Samuel 1929, 1972, Our Exagmination round his Factification for Incamination of Work in Progress, Shakespeare and Co., Paris; Faber, London.

Beebe, M. 1960, Literary Symbolism.

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