research > screenbib
Mostly cinema, but includes TV. I don't own copies of all of these - it's inclusive - but I do own almost all of the Australian stuff.
Adams, Phillip 1994, 'A cultural revolution', in Scott Murray ed., Australian Cinema, Allen & Unwin, Australian Film Commission, Sydney: 61-70.
Adams, Phillip 1995, 'Introduction', in James Sabine ed., A Century of Australian Cinema, Mandarin/Reed/AFI, Port Melbourne: vii-xi.
Affron, Charles 1982, Cinema and Sentiment, University of Chicago Press, Chicago.
Affron, Charles 1992 [1982], 'Voice and space', Cinema and Sentiment, University of Chicago Press, Chicago; repr. Gerald Mast, Marshall Cohen & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 332-340.
Alloway, Laurence 1963, 'Iconography of the movies', Movie.
Alloway, Laurence 1971, Violent America: The Movies 1946-64, Museum of Modern Art, New York. (Introductory booklet to a season at MOMA.)
Altman, Rick 1981, Genre: The Musical, Routledge.
Altman, Rick 1984, 'A semantic/syntactic approach to film genre,' Cinema Journal 23, 3: 6-30. JX 791.43 C574 1
Altman, Rick 1989, The American Film Musical, Indiana University Press, Bloomington, Ind.; and BFI, London.
Altman, Rick 1999, Film/Genre, BFI, London.
Andrew, Dudley 1984, Concepts in Film Theory, Oxford University Press.
Andrew, Dudley 1992 [1984], 'Adaptation', from Concepts in Film Theory, Oxford University Press; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 420-428.
Arnheim, Rudolf 1957, Film As Art, University of California Press, Berkeley and Los Angeles.
Arnheim, Rudolf 1992 [1957], 'Film and reality', 'The making of a film', from Film As Art, University of California Press, Berkeley and Los Angeles; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 268-271, 272-277.
Arnheim, Rudolf 1992 [1957], 'The complete film', Film As Art, University of California Press, Berkeley and Los Angeles; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 48-51.
Australian Film Commission 2002, Get the Picture, sixth edition, Australian Film Commission, Sydney.
Balász, Béla 1952, The Theory of the Film: Character and Growth of a New Art, tr. Edith Bone, Dover, New York.
Balász, Béla 1992 [1952], 'The close-up', 'The face of man', from Theory of the Film, Dover, New York; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 260-261, 262-267.
Barthes, Roland 1972, Mythologies, Cape, London, selected & tr. Annette Lavers, from Mythologies, Seuil, Paris, 1957 [originally written for Esprit, France-Observateur, and Les lettres nouvelles, 1954-6].
Barthes, Roland 1977, Image-Music-Text, selected & tr. Stephen Howard, Fontana/Collins, London. [Hill & Wang, New York.]
Barthes, Roland 1992 [1972], 'The face of Garbo', Mythologies, Cape, London: 56-57; selected & tr. Annette Lavers, from Mythologies, Seuil, Paris, 1957 [originally written for Esprit, France-Observateur, and Les lettres nouvelles, 1954-6]; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 628-631.
Basinger, Jeanine 1993, A Woman's View: How Hollywood Spoke to Women, Knopf, New York.
Baudry, Jean-Louis 1974-75, 'Ideological effects of the basic cinematographic apparatus', Film Quarterly, 28, 2 (Winter).
Baudry, Jean-Louis 1975, 'The apparatus: metapsychological approaches to the impression of reality in cinema,' from Communications, 23, tr. Jean Andrews & Bernard Augst for Camera Obscura, 1, Fall 1976.
Baudry, Jean-Louis 1992 [1974-75], 'Ideological effects of the basic cinematographic apparatus', Film Quarterly, 28, 2 (Winter), tr. Alan Williams; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 302-312.
Baudry, Jean-Louis 1992 [1975], 'The apparatus: metapsychological approaches to the impression of reality in cinema,' from Communications, 23, tr. Jean Andrews & Bernard Augst for Camera Obscura, 1, Fall 1976; repr. Gerald Mast, Marshall Cohen & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 690-707.
Baxter, John 1970, The Australian Cinema, Pacific Books, Sydney.
Bazin, André 1967, What is Cinema? vol. 1 & 2, tr. Hugh Gray, University of California Press, Berkeley and Los Angeles.
Bazin, André 1971, 'The western, or the American film par excellence' and 'The evolution of the western' in What is Cinema? vol. 2, tr. Hugh Gray, University of California Press, Berkeley.
Bazin, André 1992 [1967], 'De Sica: metteur-en-scène', What is Cinema? vol. 1 & 2, tr. Hugh Gray, University of California Press, Berkeley and Los Angeles; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 38-47.
Bazin, André 1992 [1967], 'The evolution of the language of cinema', What is Cinema? vol. 1 & 2, tr. Hugh Gray, University of California Press, Berkeley and Los Angeles; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 155-167.
Bazin, André 1992 [1967], 'The myth of total cinema', What is Cinema? vol. 1 & 2, tr. Hugh Gray, University of California Press, Berkeley and Los Angeles; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 34-37.
Bazin, André 1992 [1967], 'Theater and cinema', What is Cinema? vol. 1 & 2, tr. Hugh Gray, University of California Press, Berkeley and Los Angeles; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 375-386.
Behlmer, Rudy 1990, Behind the Scenes: The Making of ..., Samuel French, New York (originally America's Favourite Movies, Ungar, NY, 1982).
Beilby, Peter ed. 1980, Australian Motion Picture Yearbook, Cinema Papers, Melbourne, 1980.
Beilby, Peter & Ross Lansell eds 1982, Australian Motion Picture Yearbook 1983, Four Seasons, Melbourne.
Bell, Max D. 1986, Perth: A Cinema History, Book Guild, Lewes, Sussex.
Belton John 1992 [1985], 'Technology and aesthetics of film sound', apparently from Elizabeth Weis, John Belton eds, Technology and Aesthetics of Film Sound, Columbia University Press; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 323-331 [but the book title is more likely to be Film Sound: Theory and Practice].
Benjamin, Walter 1992 [1935], 'The work of art in the age of mechanical reproduction', from Illuminations, Schoken, New York, ed. & introduction Hannah Arendt, tr. Harry Zohn: 219-154; orig. Zeitschrift für Sozialforschung, 5, 1, 1936; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 665-681.
Bergan, Ronald 2000, The Coen Brothers, Phoenix Orion, London.
Berryman, Ken 1980, The Australian Film Industry and Key Films of the 1970s: An Annotated Filmography of Film, Australian Film Institute, Melbourne.
Bertrand, Ina 1977, 'Australian Film Studies', Media Centre Papers, La Trobe University, 7.
Bertrand, Ina 1978, Film Censorship in Australia, University of Queensland Press, Brisbane.
Bertrand, Ina & Diane Collins 1981, Government and Film in Australia, Currency Press/Australian Film Institute, Sydney.
Bertrand, Ina & William Routt 1989, 'The big bad combine: some aspects of national aspirations and international constraints in the Australian cinema, 1896-1929', in Albert Moran & Tom O'Regan eds, The Australian Screen, Penguin, Ringwood: 23-7.
Bertrand, Ina 1995, 'What we are allowed to see: censorship in Australian cinema', in James Sabine ed., A Century of Australian Cinema, Mandarin/Reed/AFI, Port Melbourne: 64-83.
Bertrand, Ina ed. 1989, Cinema in Australia: A Documentary History, University of New South Wales Press, Kensington.
Blonski, Annette & Freda Freiberg 1989, 'Double trouble: women's films', in Albert Moran & Tom O'Regan eds, The Australian Screen, Penguin, Ringwood: 191-215.
Boland, Michaela & Michael Bodey 2004, Aussiewood: Australia's Leading Actors and Directors Tell How They Conquered Hollywood, Allen & Unwin, Sydney.
Bordwell, David & Thompson, Kristin 1993, Film Art: An Introduction, Fourth (International) Edition, McGraw-Hill, New York.
Bordwell, David & Thompson, Kristin 1997, Film Art: An Introduction, Fifth Edition, McGraw-Hill, New York.
Bordwell, David 1985, 'Classical narration', David Bordwell, Janet Staiger, & Kristin Thompson, The Classical Hollywood Cinema: Film Style and Mode of Production to 1960, Columbia University Press, New York, Chapter 3: 24-41.
Bordwell, David 1985, 'Story causality and motivation', David Bordwell, Janet Staiger, & Kristin Thompson, The Classical Hollywood Cinema: Film Style and Mode of Production to 1960, Columbia University Press, New York, Chapter 2: 12-23.
Bordwell, David 1985, Making Meaning: Inference and Rhetoric in the Interpretation of Cinema, Harvard University Press, Cambridge, Mass.
Bordwell, David 1985, Narration in the Fiction Film, University of Wisconsin Press, Madison.
Bourget, Jean-Loup 1992 [1973], 'Social implications in the Hollywood genres', Journal of Modern Literature, 3, 2, April; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 467-474; also repr. in Barry Grant ed. 1977, Film Genre: Theory and Criticism, Scarecrow Press, Metuchen, NJ.
Brakhage, Stan 1992 [1963], 'Metaphors on vision', Film Culture, 30, Fall; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 71-78.
Brand, Simon 1985, The Australian Film Book 1930-Today, Dreamweaver Books, Sydney.
Branigan, Edward 1984, Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film, Mouton, The Hague, New York.
Branigan, Edward 1992, Narrative Comprehension and Film, Routledge, London and New York.
Braudy, Leo 1992 [1976], 'Acting: stage vs screen', from The World in a Frame, Doubleday, New York; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 387-394.
Braudy, Leo 1992 [1976], 'Genre: the conventions of connection', from The World in a Frame, Doubleday, New York; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 435-452.
Brophy, Philip 1986, 'Horrality - the textuality of contemporary horror films', Screen 27, 1, Jan-Feb: 2-13.
Brown, Mary Ellen ed. 1990, Television and Women's Culture: The Politics of the Popular, Sage Publications, Newbury Park, London.
Browne, Nick 1982, The Rhetoric of Film Narrative, University of Michigan Press, Ann Arbor.
Browne, Nick 1987, 'The political economy of the television (super) text,' Quarterly Review of Film Studies, 9, 3 Summer 1984, repr. Newcomb, Horace, Television: The Critical View, Oxford University Press, New York, 585-599.
Browne, Nick 1992 [1975-76], 'The spectator-in-the-text: the rhetoric of Stagecoach', Film Quarterly, 34, 2, Winter; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 210-226.
Browne, Nick 1998, Refiguring Film Genres: Theory and History, University of California Press, Berkeley.
Brownlow, Kevin 1973 [1968], The Parade's Gone By..., Abacus Sphere, London.
Brunette, Peter & David Wills 1989, Screen/Play: Derrida and Film Theory, Princeton University Press, Princeton, New Jersey.
Cameron, Ian & Douglas Pye eds 1996, The Movie Book of the Western, Studio Vista, London.
Caputo, Raffaele & Geoff Burton 2002, Third Take: Australian Film-makers Talk, Allen & Unwin, Sydney.
Carlsson, Susanne Chauvel 1989, Charles and Elsa Chauvel: Movie Pioneers, University of Queensland Press, St Lucia; Foreword by Ken G. Hall, Introduction by Michael Pate.
Carroll John ed. 1979, Intruders in the Bush, Oxford University Press, Melbourne.
Carroll John M. 1980, Toward a Structural Psychology of Cinema, Mouton, The Hague.
Carroll, Noël 1988, Mystifying Movies: Fads and Fallacies in Contemporary Film Theory, Columbia University Press, New York.
Carroll, Noël 1988, Philosophical Problems of Classical Film Theory, Princeton University Press.
Carroll, Noël 1990, The Philosophy of Horror, Routledge, London & New York.
Carroll, Noël 1992 [1988], 'Jean-Louis Baudry and "the Apparatus",' Mystifying Movies, Columbia University Press; repr. Gerald Mast, Marshall Cohen & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 708-724.
Carroll, Noël 1992 [1988], 'The Specificity Thesis', from Philosophical Problems of Classical Film Theory, Princeton University Press; repr. Gerald Mast, Marshall Cohen & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 278-285.
Cavell, Stanley 1971, The World Viewed: Reflections on the Ontology of Film, Viking, New York.
Cavell, Stanley 1981, Pursuits of Happiness: The Hollywood Comedy of Remarriage, Harvard University Press, Cambridge, Mass.
Cavell, Stanley 1992 [1971], 'Photograph and screen', 'Audience, actor, and star', 'Types: cycles as genres', 'Ideas of origin', from The World Viewed; repr. Gerald Mast, Marshall Cohen & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 291-292, 292-294, 294-299, 299-301.
Cawelti, John G. 1971, The Six-Gun Mystique, Bowling Green State University Popular Press, Bowling Green, Ohio.
Cawelti, John G. 1976, Adventure, Mystery and Romance, University of Chicago Press, Chicago.
Cawelti, John G. 1992 [1979], 'Chinatown and generic transformation in recent American films', "Chinatown and the Detective Film"; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 498-511.
Chatman, Seymour 1978, Story and Discourse: Narrative Structure in Fiction and Film, Cornell University Press, Ithaca.
Chatman, Seymour 1985, Antonioni, or, The Surface of the World. Not in MULib.
Chatman, Seymour 1990, Coming to Terms: The Rhetoric of Narrative in Fiction and Film, Cornell University Press, Ithaca, New York.
Chatman, Seymour 1992 [1980], 'What novels can do that films can't (and vice versa)', Critical Inquiry, 8; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 403-419.
Chauvel, Elsa 1973, My Life With Charles Chauvel, Shakespeare Head Press, Sydney.
Chow, Victoria 2004, Nicole, Kandour, London.
Clancy, Jack 1979, 'Australian films and fantasies', Meanjin, 38, 2, July.
Clancy, Jack 1982, 'The renaissance of the seventies', in John Carroll ed., Intruders in the Bush, Oxford University Press, Melbourne.
Clover Carol J. 1987, 'Her body, himself: gender in the slasher film', Representations, 20, Fall; repr. in James Donald ed. 1989, Fantasy and the Cinema, BFI, London: 90-133.
Clover, Carol J. 1992, Men Women and Chainsaws: Gender in the Modern Horror Film, Princeton University Press, Princeton.
Coleman, Peter 1992, Bruce Beresford: Instincts of the Heart, Angus & Robertson, Sydney.
Collins, Diane 1979, 'The movie octopus', in Peter Sperritt and David Walker eds, Australian Popular Culture, George Allen & Unwin, Sydney.
Collins, Diane 1987, Hollywood Down Under: Australians at the Movies: 1886 to the Present Day, Angus & Robertson, North Ryde, Sydney.
Collins, Diane 1995, 'Shopfronts and picture showmen: film exhibition to the 1920s', in James Sabine ed., A Century of Australian Cinema, Mandarin/Reed/AFI, Port Melbourne: 26-43.
Collins, Felicity 1999, The Films of Gillian Armstrong, The Moving Image, 6, ATOM, Melbourne.
Collins, Felicity & Therese Davies 2004, Australian Cinema After Mabo, Cambridge University Press, Cambridge.
Collins, Jim 1993, 'Genericity in the nineties: eclectic irony and the new sincerity', in Jim Collins, Hilary Radner & Ava Preacher Collins eds, Film Theory Goes to the Movies, Routledge, London: 242-263.
Comolli, Jean-Luc & Jean Narboni 1992 [1969], 'Cinema/ideology/criticism', [apparently from] 'Preface to "Young Man Lincoln",' Screen, 13, 3; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds : Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 682-689.
Connolly, Keith 1980, 'The films of Bruce Beresford', Australian Directors Monograph Series, Cinema Papers, 28, August-September.
Cook, Pam 1978, 'The point of self-expression in avant-garde film', Catalogue of BFI Productions 1977-8, BFI; in John Caughie ed. 1981, Theories of Authorship: A Reader, BFI/Routledge, London, New York: 271-281.
Cook, Pam 1985, The Cinema Book, BFI, London, SOUTH WING LEVEL 2 791.43 CIN 1985, SOUTH WING LEVEL 2, 791.43 CIN 1985 c.2, ROCKINGHAM, 791.43 CIN 1985, ROCKINGHAM 791.43 CIN 1985
Cook, Pam & Mieke Bernink 1999, The Cinema Book, second edition, BFI, London.
Cook, Pam & Philip Dodd eds 1993, A Sight and Sound Reader, TUP, Philadelphia.
Corliss, Richard 1992 [1970], 'The Hollywood screenwriter', Film Comment, 6, 4, Winter; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 606-613. Part of this material also appears in: Richard Corliss 1974, Talking Pictures: Screenwriters in the American Cinema, The Overlook Press.
Cranny-Francis, Anne 1990, 'Feminist futures: a generic study', in Annette Kuhn ed., Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema, Verso, London & New York: 219-27.
Cranny-Francis, Anne & Patricia Palmer Gillard 1990, 'Soap opera as gender training: teenage girls and TV', in Terry Threadgold & Anne Cranny-Francis eds, Feminine/Masculine and Representation, Allen & Unwin, Sydney.
Creed, Barbara 1986, 'Horror and the monstrous-feminine: an imaginary abjection,' Screen, 27, 1, Jan-Feb: 44-70; repr. The Monstrous Feminine: Film, Feminism, Psychoanalysis, Routledge, London, 1993.
Creed, Barbara 1987, 'From here to modernity: feminism and postmodernism,' Postmodern Screen issue of Screen 28, 2: 47-67.
Creed, Barbara 1990, 'Alien and the monstrous-feminine,' in Kuhn, Annette (ed.), Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema, Verso, London & New York: 128-141.
Creed, Barbara 1990, 'Gynesis, postmodernism and the science fiction horror film,' in Kuhn, Annette (ed.), Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema, Verso, London & New York: 214-8.
Creed, Barbara 1992, 'Mothers and lovers: oedipal transgressions in recent Australian cinema', Metro, 91: 14-22.
Creed, Barbara 1993, The Monstrous Feminine: Film, Feminism, Psychoanalysis, Routledge, London.
Cronon, William, George Miles & Jay Gitlin eds 1992, Under an Open Sky: Rethinking America's Western Past, Norton, New York.
Cunningham, Stuart & Graeme Turner eds 1993, The Media in Australia: Industries, Texts, Audiences, second edition 1997, Allen & Unwin, St Leonards, Sydney.
Cunningham, Stuart 1989, 'The decades of survival: Australian film 1930-1970', in Moran, Albert & Tom O'Regan eds, The Australian Screen, Penguin, Ringwood: 53-74.
Cunningham, Stuart 1992, Framing Culture, Allen & Unwin, North Sydney.
Dayan, Daniel 1992 [1974], 'The tutor-code of classical cinema', Film Quarterly, 28, 1, Fall; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 179-191.
de Lauretis, Teresa & Stephen Heath eds 1980, The Cinematic Apparatus, Macmillan, London. [Papers from The Cinematic Apparatus conference, 1978, University of Wisconsin-Milwaukee: incl. those by Heath, Wollen, Allen, Gomery, Doane, Andrew, Anderson & Anderson, Nichols & Lederman, Thompson, Comolli, Turim, Gidal, Rose and de Lauretis.]
de Lauretis, Teresa 1984, Alice Doesn't: Feminism, Semiotics, Cinema, Indiana University Press, Bloomington, Ind.
de Lauretis, Teresa 1987, Technologies of Gender: Essays on Theory, Film, and Fiction, Macmillan, London; Indiana University Press, Bloomington, Ind.
de Lauretis, Teresa 1989, 'Strategies of coherence: the poetics of film narrative,' in Phelan, James ed. 1989, Reading Narrative: Form, Ethics, Ideology, Ohio State University Press, Columbus: 186-206; also in Technologies of Gender: 107-126.
Deren, Maya 1992 [1960], 'Cinematography: the creative use of reality', Daedalus, Journal of the American Academy of Arts and Sciences, The Visual Arts Today, Winter, 89, 1, Boston, Mass.; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 59-70.
Dermody, Susan 1981, 'Rugged individualists or neo-colonial boys? The early sound period in Australian films, 1931-32', New South Wales Institute of Technology Media Paper, 12.
Dermody, Susan 1981, 'Australianness and the film industry: between the rhetoric of business and national culture', New South Wales Institute of Technology Media Paper, 18.
Dermody, Susan & Elizabeth Jacka 1988, The Imaginary Industry, AFTRS, North Ryde.
Dermody, Susan & Jacka, Elizabeth 1987, The Screening of Australia: Anatomy of a National Cinema Vol. 1. Paddington, Currency Press.
Dermody, Susan & Jacka, Elizabeth 1988, The Screening of Australia: Anatomy of a National Cinema Vol. 2. Paddington, Currency Press.
Dika, V. 1990, Games of Terror: Halloween, Friday the Thirteenth and the Films of the Stalker Cycle, Associated University Presses, London.
Doane, Mary Ann 1987, 'Remembering women: psychical and historical constructions in film theory', Continuum, 1, 2: 3-14.
Doane, Mary Ann 1987, The Desire to Desire: The Woman's Film of the 1940s, Indiana University Press, Bloomington, Indiana.
Doane, Mary Anne 1992 [1982], 'Film and the masquerade: theorising the female spectator', Screen, 23, September-October, Society for Education in Film and Television; repr. Gerald Mast, Marshall Cohen & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, OUP, New York, Oxford: 758-772.
Doane, Mary Anne, Patricia Mellencamp & Linda Williams eds 1984, Re-vision: Essays in Feminist Film Criticism, American Film Institute, Los Angeles.
Doane, Mary Anne, Patricia Mellencamp & Linda Williams 1984, 'Feminist film criticism: an introduction', in Re-vision: Essays in Feminist Film Criticism, eds Doane, Mellencamp & Williams, American Film Institute, Los Angeles.
Donald, James ed. 1989, Fantasy and the Cinema, BFI, London, RESERVE 791.43615 FAN; ROCKINGHAM 791.43615 FAN 1989
Donald, James 1992, Sentimental Education: Schooling, Popular Culture and the Regulation of Liberty, Verso, London, New York, S WING LEVEL 2, 370.19 DON
Donald, James 1992, 'What's at stake in vampire films? The pedagogy of monsters', in Sentimental Education, Verso, London: 98-121.
Douglas, Ian 1988, Film and Meaning: An Integrative Theory, ed. Horst Ruthrof, Continuum Publications and the Film and Television Institute (WA).
Dyer, Richard 1979, Stars, British Film Institute, London.
Dyer, Richard 1992 [1979], Excerpt from Stars, British Film Institute, London; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 622-627.
Dyer, Richard et al. 1981, Coronation Street, British Film Institute, London.
Dyer, Richard, Heavenly Bodies.
Dyer, Richard 1993, The Matter of Images: Essays on Representation, Routledge, London.
Easthope, Antony ed. 1993, Contemporary Film Theory, Longman, London and New York.
Eco, Umberto 1987, Travels in Hyperreality, tr. William Weaver, Picador/Pan, London (Harcourt, New York).
Edmundson, Ray & Andrew Pike 1982, Australia's Lost Films, National Library of Australia, Canberra.
Eisenstein, Sergei M. 1949, Film Form, ed. & tr. Jay Leyda, Harcourt Brace Jovanovich, New York.
Eisenstein, Sergei M, V. I. Pudovkin, & G. V. Alexandrov 1992 [1949], 'A statement [on sound]', from Film Form, tr. Jay Leyda, Harcourt Brace Jovanovich, New York; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 317-319.
Eisenstein, Sergei 1992 [1949], 'A dialectic approach to film form', Film Form, tr. Jay Leyda, Harcourt Brace Jovanovich; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 138-154.
Eisenstein, Sergei 1992 [1949], 'Dickens, Griffith, and the film today', from Film Form, tr. Jay Leyda, Harcourt Brace Jovanovich; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 395-402.
Eisenstein, Sergei 1992 [1949], 'The cinematographic principle and the ideogram', Film Form, tr. Jay Leyda, Harcourt Brace Jovanovich; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 127-137.
Elley, Derek, 1996, Variety Movie Guide '97, Hamlyn/Reed, London.
Ellis, John 1982, Visible Fictions: Cinema, Television, Video, Routledge, London & New York; second edition 1991.
Ellis, John 1992 [1982], 'Broadcast TV as sound and image', Visible Fictions: Cinema, Television, Video, Routledge, London: 127-144; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds: Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 341-350.
Ellis, John 1992 [1982], 'Stars as a cinematic phenomenon', Visible Fictions: Cinema, Television, Video, Routledge, London: 91-108; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 614-621.
Elsaesser, Thomas 1976, 'Screen violence', in Bigsby, Christopher ed., Approaches to Popular Culture, Edward Arnold, London.
Elsaesser, Thomas 1981, 'Vincente Minnelli,' in Rick Altman ed., Genre: The Musical, Routledge & Kegan Paul, London, BFI.
Elsaesser, Thomas 1989, New German Cinema: A History, BFI/Macmillan, London.
Elsaesser, Thomas 1992 [1972], 'Tales of sound and fury: observations on the family melodrama', Monogram, 4; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 512-535.
Elsaesser, Thomas 1994, 'Putting on a show: the European art movie', Sight and Sound 4, April: 22-7.
Evans, Peter William & Celestino Deleyto eds 1998, Terms of Endearment: Gender and Sexuality in Hollywood Romantic Comedy of the Eighties and Nineties, Edinburgh University Press, Edinburgh.
Favretti, Rema Rossini ed. 1990, The Televised Text, Patron Editore, Bologna.
Feuer, Jane 1992 [1977], 'The self-reflexive musical and the myth of entertainment', Quarterly Review of Film Studies, 2, 3, August; repr. Gerald Mast, Marshall Cohen, & Leo Braudy eds, Film Theory and Criticism: Introductory Readings, fourth edition, Oxford University Press, New York, Oxford: 486-497.
Fiske, John & John Hartley 1978, Reading Television, Routledge, London & New York.
Fiske, John 1987, 'British cultural studies and television', in Robert Allen ed., Channels of Discourse, University of North Carolina Press, Chapel Hill.
Fiske, John 1987, 'TV: re-situating the popular in the people', Continuum, 1, 2: 56-66.
Fiske, John 1987, Television Culture, Routledge, London & New York.
Fiske, John 1989, 'Moments of television: neither the text or the audience', in Ellen Seiter, Hans Borchers, Gabriele Kreutzner & Eva-Marie Warth eds, Remote Control: Television, Audiences & Cultural Power, Routledge, London & New York.
Freud, Sigmund 1927d, 'Humour', Standard Edition, 21: 159-166; also in Art and Literature, Penguin, 1985.
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Garry Gillard | New: 11 April, 2019 | Now: 8 January, 2021